28 Days later in 1 Minute
Posted by Georg | Posted in Filme | Posted on 27-09-2009
1
Tja, so kann man einen DVD Abend deutlich verkürzen:
Zombieland
Posted by Georg | Posted in Filme | Posted on 24-06-2009
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Da freu ich mich drauf:
Zombieland mit Woody Harrelson….
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Lebe das Leben? Fallen!
Posted by Georg | Posted in Filme | Posted on 09-04-2009
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Lazy Summer Days
Posted by Georg | Posted in Filme | Posted on 12-02-2009
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…wären jetzt gerade echt gut….
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Posted by Georg | Posted in Filme | Posted on 10-02-2009
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Schwarzer Kaffee Junge!!!
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We have decided not to die
Posted by Georg | Posted in Filme | Posted on 02-02-2009
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Stunning:
Interview mit Daniel Askill:
Daniel Askill, writer/director/co-producer of the short film We Have Decided Not To Die
Daniel speaks to Sarah Runcie, AFC Film Development Administration Officer.We Have Decided Not To Die is an unusual short film. A modern day allegorical triptych, three figures under go transformation through three rituals. Though not a story in any conventional sense, We Have Decided Not To Die succeeds in taking audience on an emotional journey. Aurally intriguing, often stunning and always beautiful, Danielís short film has been winning fans from around the festival circuit.
S: What was your initial inspiration for the idea?
D: I think it was actually a single image of this guy floating outside this 50th story window and the idea of him not dying. Just that single image. And around that came these kind of ideas of some kind of transcendence and ideas of, I guess, religious rituals and building a film, instead of around the idea of a story, around the idea of a ritual being the story.S: How did you choose the title We Have Decided Not To Die?
D: You know, it’s actually from something that I saw in a book. A couple of artists that work in the States called Arakawa and Gins and they did this book called ‘Reversible Destiny’. It just felt like this crazy kind of statement. I just like the “matter of factness” of it. It seemed to sum up the kind of idea of where the whole film was heading.